Legal

The whole deal, twice: once like a human, once like a lawyer. Same deal both times — your work stays yours.

The bottom line

Updated July 4, 2026

Everything below, in plain human. The numbered sections restate this in lawyer speak — where wording matters, those govern.

YOU KEEP YOUR RIGHTS. ALWAYS.

Publication on ARTSSN and registration of an IPFN never — not once, not partially, not via some clause on page nine — deprives you of rights over your own work. Your art is yours. It arrived yours, it stays yours, it leaves yours. The lawyer version says exactly this too; it just bills by the word. (Restated in Terms §3.)

We don't sell your data.

No data brokers, no ad trackers, no bidding on your attention. We have no advertising machinery to feed — there is nothing to sell you to. (Restated in Privacy §2.)

Don't be an asshole.

No harassment, no hate, no wrecking the place for the people making real work here. That's the whole rule. (Restated at length, in a suit, in Terms §7.)

Don't try to steal or claim work that isn't yours.

Under international and domestic law, publication on ARTSSN and registration of an IPFN amounts to the public claiming of a work — the public attribution of copyright toward a given book or image. Doing that falsely is a violation of law and can be punished as one. Also: it's stealing, and you knew that before you scrolled down here. (Restated in Terms §5.)

We preserve your work.

Registrations are durable, append-only public records by design — staying on the record is the product. Our primary database lives in the European Union, and we build our data practices to GDPR standards. (Restated in Privacy §1, §3, and §7.)

Terms & Conditions

Updated July 4, 2026

1. These terms, in one breath

These Terms & Conditions are the agreement between you and Blinding Visuals Press ("Blinding Visuals", "we") covering artssn.com and every surface it serves — studios, image and book registration, events, stores, and print runs. By creating an account or using the platform you accept them. We wrote them to be read; if anything is unclear, ask us.

2. Your account

You need an account for most things here. Keep your sign-in credentials to yourself, give us accurate information, and be one person — accounts represent individual humans (organizations get their own surfaces). Your username is a unique handle; your display name is what the world reads; your pen name is the official name on your certificates and registrations. You are responsible for activity on your account.

3. Your content and your rights

Nothing we do ever takes your rights. Everything you create and bring here — images, writing, books — remains yours, in full. Registering a work, publishing it, or selling it through the platform does not transfer ownership of your work to us, and no clause anywhere on this platform says otherwise.

So that the platform can function, you give us the narrow permission we need to operate it: hosting, displaying, and reproducing your content to provide the services you asked for — rendering your studio, generating your certificates, printing the books and prints you sell. That permission is for operating the platform, not for our own exploitation of your work, and it ends where the service ends.

Where a deeper relationship exists — like BV publishing your book — it is governed by the standard Author Publishing Agreement below, which spells out exactly what each side gets.

4. Image & book registration (IPFN)

Registering a work mints an IPFN: a durable registry number with a QR code, a certificate, and a public verification page, anchored to a hash of your file. It is a dated, publicly verifiable record of your work.

Be clear-eyed about what it is: an IPFN is not government copyright registration (under the Berne Convention you hold copyright automatically the moment your work is fixed — and some legal remedies, particularly in the U.S., still require official registration with the relevant copyright office). Certificate and registration metadata — the IPFN, work title, and claimant name — is public by design; that is what makes a registration verifiable.

5. Honest claims

When you register a work you are making a claim of authorship under your official name. Make it honestly. Under international copyright frameworks (including the Berne Convention) and domestic law, publication on this platform and registration of an IPFN constitute a public claiming of the work — a public attribution of copyright toward a given book or image. Claiming work that is not yours, impersonating another creator, or registering stolen work violates these terms — we will remove the registration and may close your account — and a false public claim of authorship can expose you to real legal consequences under applicable law, from false-statement and misrepresentation liability to fraud prosecution.

6. Purchases, print runs & orders

Everything sold on the platform is a one-time payment — no subscriptions. Payments are processed by Stripe; we never see or store your full card number. Physical goods (books, prints) are produced and fulfilled through our printing and fulfillment partners; timelines shown at checkout are estimates. If something arrives damaged or wrong, contact us and we will make it right.

7. Acceptable use

Don't break the law, don't break the platform, don't harm the people on it. That includes: no infringing or stolen content, no impersonation, no harassment or hate, no attempts to breach accounts or scrape private data, and no interfering with the service's operation. We may remove content or suspend accounts that do.

8. Leaving (or being asked to leave)

You can stop using the platform at any time. We can suspend or close accounts that violate these terms. Either way, your ownership of your work is untouched — it was never ours. Public registrations are durable, append-only records by design; certificates already issued remain valid records of what was registered and when.

9. Disclaimers & limits

The platform is provided "as is." We work hard to keep it accurate and available, but we cannot promise it will always be error-free or uninterrupted, and we are not liable for indirect or consequential damages to the maximum extent the law allows. Nothing in these terms limits liability that cannot legally be limited.

10. Governing law & changes

These terms are governed by the laws of the United States and the State of Texas. If we change them in a way that matters, we will say so visibly — no silent edits to the deal. The current version, with its date, always lives on this page.

Privacy

Updated July 4, 2026

1. What we keep

The minimum the platform needs to function: your account (email, names, profile), the work you register and publish, your orders and shipping details when you buy something, and minimal first-party usage records that keep the service healthy. That is the list.

2. What we don't do

We don't sell your data. We don't run third-party ad trackers, we don't feed data brokers, and we don't monetize your attention. There is no advertising machinery on this platform.

3. Public by design

Registration metadata — your IPFN, the work's title, and the claimant (pen) name you chose — is published on public verification pages on purpose: a registration only protects you if the world can check it. Your private account details are not part of that record.

4. Payments

Card payments are processed by Stripe. Your card number goes to Stripe, not to us; we keep the order record (what you bought, where to ship it).

5. Email

We send transactional email (receipts, shipping, account notices) and the notifications you have on. We don't sell or share your address.

6. Your choices

You can edit your profile and names at any time, control notification email, and contact us to deactivate your account. Public registration records are durable and append-only by design — staying on the record is the product.

7. Where your data lives, and how long

Our primary database runs in the European Union, and we build our data practices to GDPR standards: minimal collection (§1), no selling or brokering (§2), and access on request. We preserve your data deliberately — registrations and their certificates are durable records, independently backed up, because a verifiable claim that can quietly vanish protects no one. Payment processing (Stripe) and email delivery (Resend) are handled by their own processors under their own agreements; your card number never touches our systems (§4).

Know your rights

Plain-language guides to what registration does (and doesn't do), and what making a claim means.

Your rights stay yours — always

Nothing we do ever takes an author's or artist's rights. Registering an image, publishing a book, opening a studio, selling a print — none of it transfers ownership of your work to us. You retain full rights to everything you create, forever. There is no sneaky language anywhere on this platform that says otherwise, and there never will be.

Where a specific agreement exists (like a publishing agreement for a book), it spells out exactly what we may do — and it is the same standard contract for everyone, written to be read. You are always invited to take it to an attorney.

You already own the copyright — automatically

Under the Berne Convention — the international treaty most of the world (over 180 countries) has signed — copyright vests in you the moment you fix a work in tangible form. No paperwork, no fee, no registration required. The right is automatic.

What Berne also means: copyright is enforced domestically. Each country applies its own law to claims inside its borders. Your registration here gives you a portable, dated record you can bring to any of them — but the rules of the game (remedies, deadlines, registration requirements) belong to each country's courts.

An IPFN is not government copyright registration

Registering an image or book here creates a permanent, dated, publicly verifiable record of your work — a hash of the file, anchored and citable. That is powerful evidence of what existed and when. But it is not the same thing as registering your copyright with a government office (like the U.S. Copyright Office), and we never claim it is.

In some countries, official registration unlocks specific legal remedies — for example, in the United States you generally must register with the Copyright Office before filing an infringement lawsuit, and timely registration is what makes statutory damages available. If your work matters commercially, an IPFN and official registration work together: one is the public proof-of-existence record, the other is the courthouse key.

A claim is a legal act — make it honestly

When you register a work here, you are making a claim of authorship — anchored to the blockchain through your copyright cards, dated, and public. Claiming work that isn't yours, impersonating another creator, or registering stolen work isn't just against our rules: it's the kind of act domestic law punishes.

Real examples, not hypotheticals:

  • In the U.S., knowingly making a false statement in a copyright registration application is a federal offense (17 U.S.C. § 506(e)), and knowingly sending false infringement claims creates liability for damages (17 U.S.C. § 512(f)) — courts have made senders pay, starting with Online Policy Group v. Diebold (2004), and Lenz v. Universal Music (2015) confirmed claimants must consider fair use before firing off takedowns.
  • Selling forged art is prosecuted as plain fraud: the Knoedler Gallery scandal — roughly $80 million of fake "masterpieces" — ended with the dealer Glafira Rosales pleading guilty to federal charges in 2013 and the 165-year-old gallery shutting its doors.

Honest claims, made under your official name, are exactly what this platform exists to protect.

We don't sell your data

We don't sell anyone's data. We don't run third-party ad trackers, and we don't hand your personal information to data brokers or ad networks. The platform keeps the minimal first-party records it needs to function — your account, your work, your orders — and that's it.

Certificate and registration metadata (your IPFN, the work's title, the claimant name you chose) is public by design — that's what makes a registration verifiable. Your private details are not.

Author Publishing Agreement

Blinding Visuals was founded on a simple principle: putting authors first. One Publisher, One Standard Contract — it's part of our transparency pledge. Every BV author signs the same standard agreement, reproduced here in full so you know the foundational deal that underpins all of our publications before you ever sign anything. The plain-words notes are not legally binding and don't change the contract — they're here to help. We not only encourage, but fully invite you to bring your contract to an attorney if you'd like a second opinion.

1. Definitions

"Work" means the book composed of the Author's original photographic images and associated content, curated in collaboration with the Publisher. "Pre-order Campaign" means a promotional campaign to solicit book orders prior to publication. "List Price" is the book's regular retail price. "Author Copies" are copies made available to the Author for personal use or in-person sales. "Substantial Reuse" means any single collection containing over 51% of the images found within the Work. "Net Profit" is what remains after all direct and documented publication-related costs are deducted from gross revenue.

In plain words

This section defines the key terms used throughout, so everyone is on the same page when the contract says "Work", "Pre-order platform", or "Author Copies".

2. Granting of Rights

The Author retains full rights to the individual images included in the Work and may sell prints, edit, promote, or use them in other creative projects, including future books, provided such use does not constitute Substantial Reuse. The Author grants the Publisher an exclusive, worldwide license to publish, reproduce, distribute, promote, and sell the Work in all formats, in perpetuity.

In plain words

You own and keep the rights to your individual photos, and can use them freely in new projects or print sales. Blinding Visuals gets exclusive publishing rights to the book as a whole.

3. Copyright and Ownership

The Author owns the rights to all individual images and text provided for the Work. The Work as a whole — its compilation, layout, design, and visual narrative — is a distinct original book owned by the Publisher. No use of individual images is allowed outside the direct promotion of the Work without the Author's express consent.

In plain words

You keep all rights to the images and words you provide. We own the layout and design of the book as a unified work — and we can't use your individual content outside the book's promotion unless you explicitly allow it.

4. Duration of Rights and Publishing Window

The Agreement is effective in perpetuity; rights do not revert unless agreed in writing. If the Work's Pre-order Campaign does not launch within eighteen (18) months of execution, either party may terminate with written notice and all rights revert to the Author.

In plain words

The agreement doesn't expire on its own — but if no pre-order campaign launches within 18 months, either of us can cancel and you get all your rights back.

5. Author Obligations

The Author agrees to deliver final high-resolution files within 12 months, consult on layout, participate in the Pre-order Campaign (including promotional content featuring their likeness/voice), and promote the Work without discriminatory or hate-based language. If a mutually agreed minimum revenue for the Pre-order Campaign is not met, the Publisher is not obligated to publish; all rights revert and pre-orders are refunded.

In plain words

What we need from you: timely delivery, participation in marketing, help with layout, and respectful public messaging. If the pre-order doesn't meet its goal, you get your rights back and customers are refunded.

6. Publisher Obligations

The Publisher manages layout, editorial direction, production, distribution, and sales; ensures the Work is properly registered for copyright protection in all major markets where it is regularly sold; maintains reproduction quality consistent with the agreed proof; and notifies the Author of reprints, out-of-print status, or any transfer of publishing rights within thirty (30) days.

In plain words

We handle production, design, distribution, and sales — and commit to maintaining quality and telling you about major changes, including rights transfers or the book going out of print.

7. Royalties and Compensation

The Author receives fifty-five percent (55%) of Net Profit from all sales of the Work, in perpetuity, regardless of format or channel. Upon written request the Author may receive an accounting statement of publishing expenses within 180 days.

In plain words

You receive 55% of the net profits from every sale of the book, forever. Net Profit is what's left after actual costs (printing, editing, shipping). Financial breakdowns are available on request.

8. Author Copies, Repurchase, and Substantial Reuse

The Author may request Author Copies for events and signings; signed copies may be sold above List Price with the Publisher entitled to 49% of List Price per copy. Author Copies may not be listed on third-party websites — digital e-commerce is managed solely by the Publisher. If the Publisher ceases sale or reprinting, the Author has the right to repurchase exclusive book rights at a mutually agreed price not exceeding the pre-order campaign's gross revenue.

In plain words

You can sell signed copies at events (we get 49% of list price; anything you charge above that is yours). Online sales run through us. If we ever stop selling the book, you can buy the rights back.

9. Termination and Liability

Breaches get written notice and a 30-day cure period before termination. Before the Pre-order Campaign the Author bears no financial responsibility on termination; during an active campaign all pre-orders are refunded with the Author indemnified; after campaign completion the Publisher fulfills all pre-orders. Termination for the Author's material misconduct forfeits royalty rights on remaining inventory.

In plain words

Either side can end the deal with notice and 30 days to fix the problem first. We cover refunds depending on timing. Serious misconduct forfeits remaining royalties.

10. Royalty Payments

After a successful Pre-order Campaign, Net Profit is disbursed after customer orders are fulfilled. The Author may request an Advance of 26% of anticipated profits, with the remaining 25% paid within 60 days of pre-order completion. Ongoing royalties are paid quarterly, by direct deposit or check.

In plain words

You can take an advance after the pre-order campaign; the rest follows fulfillment, then quarterly.

11. Image Print Sales and Ancillary Rights

With the Author's express approval, the Publisher may sell printed reproductions of individual images from the Work; the Author receives eighty-five percent (85%) of Net Profit from such Publisher print sales and may revoke this right with 30-day written notice. Nothing limits the Author's ability to sell prints through their own means.

In plain words

With your permission we can sell prints of your individual images — you get 85% of the net profit, and you can revoke that permission anytime. Selling prints on your own stays entirely your right.

12. Entire Agreement and Choice of Law

The Agreement is governed by the laws of the United States and the State of Texas, contains the complete understanding between the parties, and may only be amended in writing signed by both parties.

In plain words

This is the whole deal — no hidden extras. Updates need both signatures. U.S. and Texas law apply.

The plain-words notes are a courtesy guide, not legal advice, and don't modify the agreement. Questions? Bring your contract to an attorney — we fully invite it.